Fred Kreuger was a child murderer, and when a rookie cop became suspicious of Fred‘s activities he broke into the Krueger house and utterly trashed the place looking for him, stumbling across Freddy’s hidden trophy room where he kept scrapbooks containing newspaper clippings and such; afterward the cop rushed to the power plant where Fred worked, and brought him in. He was later released because of this cops mistakes and lack of following proceedure. As a result, the parents of Springwood tracked Fred down and burned him alive for revenge.

Fred “Freddy” came back to kill off the rest of the Springwood children in their dreams he is a disfigured dream stalker who uses a glove armed with razors to kill children and teenagers in their dreams, which ultimately results in their death in the real world. However, whenever he is dragged into the real world, he has normal human strength and vulnerability.

Being a long time fan of the Nightmare franchise I’m quite excited to see the remake of A Nightmare on Elm Street, it’s said to have gotten rid of Freddy‘s perverted and “funny” side making the film much more terrifying. Here is the official trailor of the remake.

One, two, Freddy’s coming for you…

Three, four, better lock your door…

Five, six, grab your crucifix…

Seven, eight, gonna stay up late…

Nine, ten, never sleep again!

In a time when we are almost constantly barraged with goofy spoof films, it’s amazing that no one had come out with a spoof of the James Bond films until 1997. Those movies have been coming out and just BEGGING to be spoofed since the early 60s, and Mike Meyers is the one who finally steps forward to do what simply has to be done, and he does a wonderful job at it.

Fans of the James Bond films will have a blast looking for all of the allusions to the old Bond films and trying to determine which Bond film is being spoofed at any given time, but it’s important to keep in mind that the film pokes fun at the Bond series in good taste. Austin Powers: International Man of Mystery is never disrespectful to the films that it makes fun of, which is probably the single most important thing about a spoof film that makes it good. This is why the Scary Movies, as just a couple of examples, were such dismal, hideous failures. They try to be funny by viciously making fun of all kinds of movies, and end up looking stupid because they have such a nonexistent right to do that. You can’t make a stupid, stupid movie and make fun of a lot of great movies (and some not so great, admittedly) and try to pretend to be respectable at the end of it all. That’s the recipe for a crapfest.

While it’s true that a lot of the comedy in the first Austin Powers film is slapstick and obviously contrived, I think it should be a testament to the quality of the film that it is still so funny! We see all of the traditional Bond clichés in this movie, such as the usual one-liners (which are made fun of extensively and with spectacular effect here), the fancy cars, the goofy cockiness, the teeth-grinding theme song, and the occasionally inexplicable popularity with the women (this allusion makes most sense when compared to those Bond films that starred Roger Moore).

The plot involves a rivalry between Dr. Evil, an evil mastermind bent on world domination, and Austin Powers, a mockish caricature of James Bond, bent on stopping Dr. Evil‘s world domination schemes. Meyers portrays both characters with hilarious skill, making Austin an awkward womanizer with some serious dental problems, and Dr. Evil an evil schemer with a hilarious cutesy side. Neither character really seems like they belong in the role that they serve (as a spy and a doctor of evil), which is where a lot of the comedy comes in. There is also, of course the fact that they both spend most of the movie 30 years in their future, completely out of touch with the new world that they live in.

Austin Powers is one of the most refreshing comedies to come along in years. It’s true that the movie is immensely immature and that it has unfortunately little re-watch value (one of the biggest problems with the film), but the quality of the comedy is unmistakable.

Sandy and Danny, their names alone mean nothing, together they represent the film we all know and love that brought us ‘Summer Nights’ and ‘Greased Lightnin’. Grease is an infamous musical-play turned film, adapted and produced by Allan Carr, chartering the summertastic rock ‘n’ roll of the 1950s, centring on the highs and lows of a group of teenagers at high-school, Rydell High.

The film begins with two people having a summer romance, Sandy (Newton-John) an uptight, naïve, nerdy Australian girl and Danny (Travolta), a ‘jack-the-lad’ ‘T’ bird. After the opening credits which are amusing cartoons of the main characters we see the two well known groups of teenagers, the Pink Ladies and the ‘T’ Birds going back to school after summer vacation. The rest of the film centres mostly on the relationship of Sandy and Danny, the problems they face, and the ups and downs of their high school chums. The main characters and the unusual pairing of Sandy and Danny makes for comfortable viewing.

My favourite part of the film is the music, this film has such a brilliant soundtrack. If you have the chance to watch the film on DVD you get the added bonus of a songbook. However with a musical film you do find some parts unrealistic when they sing, why would a group of lads sing Summer Nights for example? Yet that aside the songs, mostly corny love songs are addictive and easy to pick up unfortunately will be in your head all day. Grease may not have had a lavish budget like films made today, but this 1978 film directed by Randal Kleiser still manages to have great audience appeal. Its’ scenes and costumes are basic and probably didn’t break the bank to produce but this all adds to the realism of the film.

I like the film and could watch it over and over again. This uplifting, audience grabbing film may be slightly cheesy but there is just so much to love about it, especially the soundtrack and dance moves! This gives it longevity making it such a great film that could be the best musical ever made.